24 Mar 2008

Tony Conrad - Dream Music/ Early Minimalism

"Repetition itself creates bliss. There are many ethnographic examples: obsessive rhythms, incantatory music, litanies, rites, and Buddhist nembutsu, etc.; to repeat excessively is to enter into loss, into the zero of the signified. But: in order for repetition to be erotic, it must be formal, literal, and in our culture this flaunted (excessive) repetition reverts to eccentricity, thrust toward various marginal regions of music."
Roland Barthes (as quoted by Tony Conrad)

Read Conrad's essay "Preparing for the Propaganda War in the Time of Global Culture: Trance, Form, and Persuasion in the Renovation of Western Music" here

Tony Conrad with Faust - The Pyre of Angus was in Kathmandu (mp3) (reissue on Table of the Elements)

21 Mar 2008

The Grandeur of Reason - conference

Looks like universalism is back en vogue; a post-9/11 effect? Anyway, the perfect location for this topic and an interesting choice of keynote speakers: Slavoj Žižek, Giorgio Agamben, John Milbank, Stanley Hauerwas, David Schindler...

The Grandeur of Reason
Religion, Tradition, Universalism

Rome, 1-4 september 2008

Conference organised by 'The Centre of Theology and Philosophy' of Nottingham University

Conference website

27 Feb 2008

Valet - Naked Acid

Having recently discovered Honey Owens' first Valet album, this sophomore album (out on Kranky) comes as a pleasant surprise. Even more haunting than one the first, her voice really stands out. The atmosphere reminds me a bit of German krautrock, but in a more American, bluesy kind of way. Definitely one of the best psychedelia-albums of this year. Added you find the song 'Fire', one of the more quiet ones, but also a highlight of the album.
"These songs were Inspired by the Pacific Northwest landscape, semi-conscious dream states and the idea of one's DNA code being accessed as eternal memory."

17 Feb 2008

Cornell conference

looking forward to my first conference in the US


The Substance of Thought: Critical and Pre-Critical

keynote speakers: Simon Critchley (The New School for Social Research) and Alberto Toscano (Goldsmiths, University of London)

Cornell University, Ithaca, New York, April 10th-12th, 2008

http://www.arts.cornell.edu/trg/conf2008.html

The last few decades have witnessed a struggle within continental philosophy between those thinkers who accept Immanuel Kant’s “Copernican Revolution” and those who refuse critical philosophy in favor of a “classical” metaphysics that, in the words of Alain Badiou, “considers the Kantian indictment of metaphysics…as null and void.” This conference will consider the conflict between “critical” and “classical” or metaphysical strains in contemporary thought. Has critical philosophy run its course, as Badiou suggests? Or has Kant’s critical turn determined the horizon of all future philosophical work? Or is there an alternative path?

We are interested in analyzing the contemporary division between thinkers who prescribe a return to the pre-critical metaphysics of, for example, Spinoza, Leibniz, or Lucretius, and those who continue to take up various trajectories of Kant's critical legacy. The former camp might include Deleuze and Badiou as well as Negri and Althusser, while the latter might include Adorno, Benjamin, Heidegger, and Derrida. We particularly wish to encourage work that takes a stand on the conflict between the two camps, as well as work that considers the implications of the conflict for the arts and social sciences. The wide range of our inquiry includes interrogations of the nature of critique, the fate of aesthetics, the privilege accorded to immanence or transcendence, and the status of materialism.

13 Feb 2008

Herzog vs Jean Paul

oh, they can be so dramatic, these Germans!

"I heard only the eternal storm, which no one rules, and the shimmering rainbow, strechted over the abyss and falling into it. And when I looked up to the immeasurable world in search of the divine eye, only an empty eyesocket stared back at me; an eternity lay upon chaos and gnawed at it and chewed upon itself. Cry out, raise a cacophony, scream until the shadow breaks, for He is not! ... Rigid, speechless nothing! Cold, eternal necessity! Insane chance!"

Jean Paul, Siebenkäse (1796)

Werner Herzog on the obscenity of the jungle

Few filmmakers are so thoroughly modern as Werner Herzog, so thoroughly romantic, but in a disillusioned, anti-romantic kind of way.

"the trees are in misery, the birds are in misery; I don't think they sing, they just schriek in pain […] but there is some sort of harmony; the harmony of overwhelming, collective murder”

29 Jan 2008

(K-RAA-K)3 festival - 1 March 2008 Brussel

MARSHALL ALLEN [us] & PAUL HESSION [uk] BARDO POND [us]
CERAMIC HOBS [uk]
CHERRY BLOSSOMS [us]
DRAGONS OF ZYNTH [us]
RICHARD CRANDELL [us]
ENTRANCE [us]
HELLVETE [b]
TON LEBBINK [nl]
ALEX MACKENZIE [ca]
SEAN MEEHAN [us]
PINK REASON [us]
HENRI POUSSEUR´s "Voix et vues planétaires" [b] PSYCHEDELIC HORSESHIT [us]
R.O.T. [b]
SILVER APPLES [us]
UP-TIGHT [jp]

+ FILMS LAFMS: The Lowest Form of Music NOT THERE HOMMAGE AU SAUVAGE: Henri Pousseur LUC FERRARI DEVANT SA TAUTOLOGIE LABRAT MATINEE + DJ´S after midnight in recyclart + record stands

Official site kraak festival 2008

17 Jan 2008

Josh T. Pearson - Kierkegaard as a Cowboy

"The time has come that you must decide... to take two steps towards Texas tonight"


Few regions are as polarized as America's South: "either you're in the bar, or you're in church". Josh Pearson has spent quite some time in both. Born in Texas as a son of a preacher, he started to play 'devil-music' in 1996 with his band Lift to Experience, releasing just one album, the magnificent the Texas-Jerusalem Crossroads (an apocalyptic concept album about Texas as the promised land). Unfortunately, he gave his companions 'the boot' shortly after the album-release in 2001. He left Texas for Europe, trying to make a living here (or maybe just living by faith alone) and playing some concerts every now and then. A solo-album has been planned for years. Let's hope he finds the inspiration. Desperate, honest outsider-music; a beacon of hope in our times.


Josh T. Pearson - the Clash (mp3) (lofi live-registration Nantes, France, 2003)

Lift to Experience - With the World Behind (mp3) (live, Peel-session 2001)

15 Jan 2008

Cindy and Bert - DER HUND VON BASKERVILLE

the good old days of German Schlagermusic

11 Jan 2008

"My blood is clean, but the devil is in me"

Although we inevitably keep on thinking about music in traditional categories and genre-distinctions, nothing is as fascinating as witnessing young musicians doing away with this, not for the fun of 'everything goes', but because the 'old forms' have lost their urgency; because their creativity asks for a new language. Of course, this is the way 'free jazz' musicians have understood themselves from the sixties on, but even 'free jazz' has become a niche, a respectable institution with its canon, instruments and techniques.
One of these youngs guys deserving our attention here is definitely Chris Corsano. Mostly known for his collaborations with saxofonist Paul Flaherty, he takes 'free jazz' beyond the jazz-idiom, bringing some hardcore-punk energy within a jazz-setting or adding some noise-folk-psych influences together with people as Thurston Moore, Matt Valentine, Jandek... Below you find a song from his album 'The Radiant Mirror' (out on Textile Records), a performance together with Mike Flower, who plays here the shahi baaja (a japanese electric dulcimer/auto-harp).
I also added a song from a great psych album I recently discovered: Blood is clean from Valet (out on Kranky). Valet is the solo-project of Honey Owens (who has previously played with Jackie-O Motherfucker). Haunting impressionistic guitar-playing with beautiful, etheral vocals.



30 Nov 2007

Ben Chasny. An American Mystic

In some way or another, in our personal life, we are all shaping something like our inner destiny. We are looking for these works of art, for these philosophies, for these people which might help us to refine this essential, singular project. If we are asked though to explain this destiny, we do not find the right words. Of course, we do not give up on reflection. We do not neatly separate life from thought. There is philosophy, as a meaningfull and indispensable figure on this path; but there is no ready-made intellectual framework which fits this destiny. The great joy of music is that (in rare cases) it allows us to catch a glimpse of precisely our own project; that it embodies a vision which is so closely connected to our own destiny, that it strikes us immediately, on a wordless and intuitive basis.

Speaking for myself, Ben Chasny's Six Organs of Admittance hits the right chord there. Independent of his personality, his interests or his lyrics, most of his music embodies a perspective which haunts me in a partly incomprehensible but direct and effective way. Added you find the opening song of his new album 'Shelter from the Ash', out on Drag City. Reading the liner notes, I was very surprised to discover that the song takes its title from a book from Henry Corbin, a French philosopher and scholar of Islamic Mysticism. In his explicitly gnostic readings of the three monotheistic traditions, Corbin is known for affirming their essential unity in strictly dividing the inner religion (the 'inner church') from the different ecclesial masks. As such, together with his pupil Christian Jambet and Michel Henry, Corbin represents the fascinating other side (the esoteric side) of French postmodernism, opposing the superficial playfullness of the exoteric postmoderns with a deeply spiritual vision.

27 Nov 2007

Postmarxism, also for non-(post)marxists. Kojin Karatani's resetting of the agenda

"I, too, was part of this vast tendency - called deconstructionism, or the archeology of knowledge, and so on - which I realized later could have critical impact only while Marxism actually ruled the people of many nation-states. In the 1990s, this tendency lost its impact, having become mostly a mere agent of the real deconstructive movement of capitalism.
Skeptical relativism, multiple language games (or public consensus), aesthetic affirmation of the present, empirical historicism, appreciation of subcultures (or cultural studies), and so forth lost their most subversive potencies and hence became the dominant, ruling thought. Today, these have become official doctrine in the most conservative institutions in economically advanced nation-states. All in all, this tendency can be summarized as the appreciation of empiricism (including aestheticism) against rationalism. In this sense, it has become increasingly clear that the return to Kant in recent years has actually been a return to Hume."
K.K., Transcritique. On Kant and Marx, p. xi

16 Nov 2007

Julianna Barwick

Julianna Barwick is an American solo artists, who has just released her debut album 'Sanguine'. All the 13 short songs are variations on one theme: she loops her own, mostly wordless, vocals and adds some spheric effects to create a circular microcosm. It reminds me a bit of the way Animal Collective makes use of vocal loops, although Julianna's approach is definitely more minimal and introspective.
A live performance at the Portuguese radio station 'Ma Fama', can be found here.

9 Nov 2007

"Xenakis, prophet of insensibility" (Milan Kundera)

In doing some reading about Xenakis, I came across an intruiging essay by the Czech novelist Milan Kundera. Through a short sketch of some of the basic parameters of western music, he explains the revolutionary character of Xenakis's music. Reading the passage together with the former (on immediate revelation) might help us to understand his work as the musical equivalent of a 'transcendental materialist' position.
"European music is based on the artificial sound of the note and the (tone) scale; it opposes the brutal and objective sonority of the world. As a result of an unbreakable convention European music is obliged from the beginning to express a subjectivity. It seems to fight the sonority of the outside world, like a sensitive being resisting the insensitivity of the universe. European civilization (from the year thousand on) is one of the only civilizations accompanied by a huge and dazzling history of music. This civilization - with its adoration of the suffering of Jezus, its courtly love, its cult of the bourgeois family, its patriotic passions - shaped the sentimental man. Music has played an integral and decisive part in the ongoing process of sentimentalization. But it can happen at a certain moment (in the life of a person or of a civilization) that sentimentality (previously considered as a humanizing force, softening the coldness of reason) becomes unmasked as ‘the supra-structure of a brutality’. This was the moment at which music appeared to me as the ear deafening noise of the emotions, while the sound-world in the works of Xenakis became beauty; beauty purified of the dirt, purified of sentimental barbary. To be a ‘prophet of insensibility’ Joyce could remain novelist; Xenakis had to step out of music. Xenakis opposes the whole of the European history of music. His point of departure is elsewhere; not in an artificial sound isolated from nature in order to express a subjectivity, but in an earthly ‘objective’ sound, in a mass of sound which does not rise from the human heart, but which approaches us from the outside, like raindrops or the voice of wind."
M. Kundera, Prophète de l’Insensibilité, in M. Fleuret (ed.), Regards sur Iannis Xenakis, 1981, Paris. (the translation is mine)

Iannis Xenakis - Concret PH (mp3) (A short piece written for the Phillips-pavillion (cf. picture) at the World Expo 1958. Manipulation of the sound of fire).

6 Nov 2007

Iannis Xenakis

"Art has something in the nature of an inferential mechanism which constitutes the platforms on which all theories of the mathematical, physical and human sciences move about. Indeed, games of proportion - reducible to number games and metrics in architecture, literature, music, painting, theatre, dance, etc., games of continuity, of proximity, in or outside of time, topological essence - all occur on the terrain of inference, in the strict, logical sense of the word. Situated next to this terrain and operating in reciprocal activity is the experimental mode which challenges or confirms theories created by the sciences, including mathematics. […] It is experimentation that makes or breaks theories, pitilessly and without any particular consideration for the theories themselves. Yet the arts are governed in a manner even richer and more complex by this experimental mode. Certainly there is not nor will there ever be an objective criterion for determining absolute truth or eternal validity even within one work of art, just as no scientific "truth" is ever definitive. But in addition to these two modes - inferential and experimental - art exists in a third mode, one of immediate revelation, which is neither inferential nor experimental. The revelation of beauty occurs immediately, directly, to someone ignorant of art as well as to the connoisseur. This is the strength of art and, so it seems, its superiority over the sciences. Art, while living the two dimensions of inference and experimentation, possesses this third and most mysterious dimension which permits art objects to escape any aesthetic science while still enjoying the caresses of inference and experimentation."
I.X. Art/Science. Alliances
Iannis Xenakis (1922-2001) is Greek/Romanian composer and architect (he often worked together with Le Corbusier), known for his highly intellectual approach to music. Experimenting with mathematical algorithms, the relation between sound and space, and the manipulation of sound, he became one of the pioneers of electro-acoustic music. Some of his later electronic music is even surpringsly noisy, in a way you wouldn't expect from a modernist composer. Bohor, a work from 1968 is probably the heaviest piece of Avant-garde music I've ever heard (think of Sunn O))) plays John Zorn's Kristallnacht). In contrast also to the work of some of his contemporaries in Avant-garde music, most of his work is very dense, calling to mind the saturated universe of orthodox spirituality (although his language and imagery isn't religious at all).

The Community of Non-Community. Philosophical Anthropology as a Challenge to Theology (Laclau, Badiou, Žižek)

Introduction

"The unity of all divided humanity is the will of God. For this reason he sent his Son, so that by dying and rising for us he might bestow on us the Spirit of love. […] Division “openly contradicts the will of Christ, provides a stumbling block to the world, and inflicts damage on the most holy cause of proclaiming the Good News to every creature.”[1]

In the first chapter of Ut Unum Sint John Paul II situates the core of the ecumenical enterprise in God’s universal will of salvation. Divided humanity should be re-united into the one Body of Christ and the division between different Churches and ecclesial communities will have to be overcome. One particular church, the Roman-Catholic represents the universal Church of Christ, although elements of truth may be found outside this particular community. But also in the latter case, internally these elements tend towards a reintegration within the Catholic community.

"The Church of Christ "subsists in the Catholic Church, which is governed by the Successor of Peter and by the Bishops in communion with him", and at the same time acknowledges that "many elements of sanctification and of truth can be found outside her visible structure. These elements, however, as gifts properly belonging to the Church of Christ, possess an inner dynamism towards Catholic unity”.[2]

As such, with the notion of Catholic Unity the Catholic Church reaffirms again the centrality of the idea of ‘universality’: God’s message is addressed to all men and to reorient the focus to the particularity of truth is thoroughly anti-Catholic. In more recent documents, the Vatican continues to stress this aspect, especially since some deviations within the Catholic community tend to undercut this central and indispensable aspect of Catholic faith. Pope Benedict XVI for example observes that some theologians are more willing to please a community of post-Christians, than to rethink difficult and unfashionable topics as the universality of truth.[1] Having discovered the ‘linguistic turn’ they reduce truth and rationality to what is meaningful within a very particular language game: this allows them to hold on to their so-called tradition while being at the same time a modern pluralist.[2] Tradition then, stripped from its inner grounds and conditions of possibility, becomes a package of identity-features; an outward costume that allows the cultural Christian to know about his identity in the midst of religious plurality. People might have these psychological needs, but as the Vatican and the whole Catholic theological tradition - at least till Johann Baptist Metz - realises, the consequences of this logic are disastrous. Metz even turns the safeguarding of universality into the special mission of the theologian today: “The theologians will be the last universalists in our highly differentiated world of science, and they will have to remain so, whether they like it or not.”[3]
Till so far the Catholic statement: no Christianity without universalism. More precarious is to understand the actual nature of this universalism. How are we to conceive universality and what is its precise relation to particularity? The intuition of my paper consists of the idea that the Catholic tradition defends with good reason the universalist dimension of Christianity, but that there is a risk of a certain misunderstanding of the universality of Christianity. As a result of the latter, the Catholic universalism (as represented by doctrinal documents) might turn out to closely resemble a particularistic position. In other words: the Catholic anti-communitarianism risks to lapse itself into a hidden form of communitarianism. The first part of the paper is meant as a short reconstruction of Catholic universalism. I will undertake this in the light of Ernesto Laclau’s postmarxist philosophy. In a second part, I will take a look at Alain Badiou’s reading of Saint-Paul as an attempt to avoid the pitfalls of a Christian particularism.


I. Ut Unum Sint versus Ernesto Laclau

Coming back to the quotes from Ut Unum Sint, we witness a strict distinction between universality and division. Division contradicts the will of God, for God wants us all to be united. Universality is therefore understood in terms of unity; a unity that can be reached by overcoming the division between different communities, and more specifically through a reintegration of the different extra-Catholic communities within the unity of the Catholic Church. The ultimate source of Christian universality is thus God’s will; a will mediated by one particular community. The mediation itself is not arbitrary. As a result of God’s own incarnation, the body of Christ comes to subsist in the Catholic Church, which as a community governed by the ‘Successor of Peter and by the Bishops in communion with him’ can clearly be designated as a particular community. The Catholic Church thus becomes Hegel’s concrete-universal: as the reign of the Spirit, it is the perfect synthesis between the divine and the earthly principle, giving flesh to the universal not just in the singular person of Jesus, but as a reality now accessible to all, through the institutional mediation. The objection to this logic is obvious: the Church may claim it represents the universal, but formally its universality is a generalization of a set of particular truths. Nevertheless, I will refrain here from judging whether the Church claims this with good reasons or not. The function of the objection is to help us to recast the scene and to enter the dialectics of particularity and universality.
Let us then start again, from a more general philosophical perspective, in order to see where the Church might fit in. As Ernesto Laclau[4] remarks, our postmodern condition is characterized by an increased awareness of the particularity of all identity; all discourses are particular discourses and none of them is in itself capable of bringing about the fullness of communion. This results in the common proposition that the validity of any statement is contextually determined. At first sight, the logic of differentiality at work here looks unproblematic: we are living in a culturally pluralistic world, with different identities shaped within different contexts. But, as Laclau points out, a strict logic of differentiality is actually self-defeating and confronts us with a paradox: if all identities are defined within a context and if we are to avoid a complete dispersion of identity, the context will have to be a relatively closed context. But how can we define the limits of a context? If we start from the fact that differences are constitutive for identities, we cannot appeal to something beyond differences. At the same time, we cannot overlook the Hegelian insight that we can only define limits by pointing out what is beyond them. The first solution would thus be to argue that beyond the limits are new differences. But in this case, it becomes impossible to know whether these new differences are internal or external to the context. If there is only contextuality, the very possibility of a limit and thus of a context becomes a problem. Laclau thus argues:

"the only way out of this difficulty is to postulate a beyond which is not one more difference but something which poses a threat (i.e. negates) to all the differences within that context – or, better, that the context constitutes itself as such through the act of exclusion of something alien, of a radical otherness."[5]

By consequence, antagonism is constitutive of all identity: an excluded, non-dialectizable element constitutes the system of differences and allows the context to define its limits.
How does this argument relate to the concept of universality? Laclau directs our attention to the absent focal point where all differences meet, namely ‘the beyond’ as implied by the logic of particularity. In two ways, the logic at work reveals something as universal. Firstly, to make identity-formation possible, ‘the beyond’ has to differ from the logic of differentiality and therefore refuses integretation within a particular discourse. As a result of this distance, it can be labelled as universal. Secondly, because ‘the beyond’ is at the same time a threat to the logic of differentiality, it introduces a universality of equivalence between the different particular discourses: as an ultimate limit it is a threat to all the differential identities, which render them interchangeable concerning the relation to the limit; all identities become equivalent with regard to the void of their outside.[6] The universal is therefore necessarily an elusive, vanishing point, required by the system of differential identities, though at the same time a threat which reproduces a relative universality between the particular identities. It would lead us too far to sketch all the different consequences of such an approach. What concerns us here is the basic structure of Laclau’s analysis as a peculiar tension between the universal as non-dialectizable and the logic of particular discourses; a structure which not only holds for the functioning of discourses, but which has its ontological condition in the subject as “immanently antagonised”[7].
Taking a look again at Ut Unum Sint, Laclau helps us to question an all too easy distinction between universality and division. The risk of such a distinction consists of cancelling the non-dialectizable universality of the beyond in favour of the relative universality between the discourses. The strategy then oscillates between two extremes: either all different discourses come to a full agreement and are united by a newly structured discourse, or one discourse is generalized as the final, all-encompassing discourse. But beside the fact that the Catholic Church tends to opt for the latter strategy, what becomes questionable is not the strategy, but the whole attempt to locate universality at the level of discourse. From the moment, universality is set in opposition with division, a counter-productive logic is set free: universality becomes the end of a process aimed at the erasure of division, and because division is finally understood as a division between different particular discourses, the process of erasure will inevitably turn into a battle of the discourses, all striving for a hegemonic position.
Paradoxically, the opposite thesis might make more sense: true universality is the universality of division. What divides us is finally not our being part of certain community, as distinct from other communities, but our being divided within ourselves. We are split between the sphere of the non-dialectizable and the order of representation. The latter explains how our identity is inevitably a particular construction within a particular community; the first explains why the particular construction does not exhaust who we are and why all construction is always under threat. Does this then leaves us with an opposition between two perspectives on universality, a Christian one which despises division on the one side and a postmodern which embraces division on the other side? Not immediately: the thesis of true universality as the universality of division might be more Christian than one usually thinks. In what follows, I will take a look a the reading of the New Testament by Alain Badiou and Slavoj Žižek. As postmarxists, they are not the most orthodox readers of the gospel, but they might help us to get rid of a too communitarian interpretation of Christianity.


II. Saint-Paul and the Foundation of Universalism

In continuity with earlier existentialist interpretations, Badiou and Žižek assist us in detecting a fundamental tension cutting across the whole corpus of the New Testament. The tension is the following: we are split between two lords, and we cannot serve both (Mt 6:24). Obeying the will of the Father is radically incommensurable with obeying Mammon. Of course, this is just one specific formulation, and the different authors of the New Testament each have their terminology to designate the fundamental tension. John focuses on the idea of the world, as a sphere incommensurable with the Life of the Divine: “I am not praying for the world” (Jn 17:9), “My kingdom is not of this world” (Jn 18:36). For Paul, the tension is one between Love and the logic of grace on the one side, and the Law and the supplement of sin on the other side. Formalised: we are split, like in Laclau’s scheme, between the non-dialectizable and the economy of representation, for grace cannot be counted, it doesn’t allow any calculation from our side. At different places, the gospel is clear about this radical split which refuses all mediation: “If anyone would come after me, he must deny himself and take up his cross and follow me” (Mt 16:24). The law, tradition, family… are radically surpassed, unable to mediate between our human condition and the life of faith.
Let us make this a little more specific. As an atheist philosopher, Badiou turns his attention to Paul, not because he believes the traditional claim about Jesus’s resurrection, but because Paul has established a universalist truth-procedure:

"Paul’s unprecedented gesture consists in subtracting truth from the communitarian grasp, be it that of people, a city, an empire, a territory or a social class. What is true cannot be reduced to any objective aggregate."[8]

Badiou stresses that Paul’s notion of ‘Resurrection’ is not meant as an historical claim about the body of Jesus (no wonder that Paul has no interest in the historical Jesus). ‘Resurrection’ functions rather as an empty signifier which designates the pure event of the liberation from the Law. With this notion Paul was able to undermine the existing discourses of his time, by focusing on the site where all the particular discourses lose their representative ground. In contrast with the settled position of the Jews and the Greek, this allows Paul to open up a different relation to reality through his experience of the failure of the existing discourses. More specifically, Paul lays bare how both the Jewish and the Greek discourse are aspects of the same form of mastery. The Jewish discourse is the discourse of the exception, of the prophetic sign and the mastery of its deciphering. The Greek discourse bases itself on the cosmic order and the idea of a direct mastery of the totality through wisdom. The Jew is in exception to the Greek. In both cases their theory of salvation is tied to mastery.

"One may also say: Greek and Jewish discourses are both discourses of the Father. That is why they bind communities in a form of obedience (to the Cosmos, The Empire, God or the Law)."[9]

‘Resurrection’ then designates the reign of the Son, as the event of the opening up of the original closure of truth within particular discourses (of mastery); an event which reconnects us with the impossible Real (the non-dialectizable) as the source of life. As such, Paul makes a strict distinction between the world of truth (which we enter through grace as a pure and simple encounter) and the world of particularity. Of course, Paul knows that we live in a world of particularity, but truth can only be established by traversing all particular differences.[10] As a result, Paul refuses to play the subtle game of identity-construction; since we are all one in Christ, he refuses to set up dividing distinctions: “It is not being circumcised or being uncircumcised that can affect anything – only faith working through love” (Gal 5:6).[11] This is not to deny the idea of a Christian identity. But the identity has now become something paradoxical, as the identity of non-identity, for there are essentially no particular characteristics which shape the identity of being Christian. Moreover, precisely this paradoxical point has become the place from where Christian universality is defined: the universality emerges from the point where those who are ‘part of no-part’ speak. Or as Žižek states:

"Christian universality is formulated from the position of those excluded, of those for whom there is no specific place within the existing order, although they belong to it; universality is strictly codependent with this lack of specific place/determination."[12]

The universal dimension discovered by Paul is therefore not the ‘neither Greek, nor Jew, but all united as Christians’. As Žižek argues, this would exclude the non-Christians and reduce Christianity to a particular discourse with a specific identity. Paul’s insight is that Christian universality is the universality of division. What is universal is the difference itself between Christian (the new man) and non-Christian (the old man). This division cuts across the whole social body: “It proposes something that is open to everybody.[…] The division is internal to the subject itself.”[13]


III. Conclusion

Both Badiou and Žižek agree that true evil does not lie in an excess of subjectivity, but in its ‘ontologization’, in its reinscription into a positive order of Being (cf. the Greek discourse of mastery). At once, this is for both the great insight of Christianity, that “the global cosmic ‘chain of Being’ is not ‘all there is’, that there is another Order which suddenly emerges and which suspends the validity of the Order of Being”[14]. Love, as non-negotiable, as non-dialectizable, as grace cuts through our being emerged in a particular subset of Being. As such, this kind of Urspaltung (a primal cut) is what connects us all; it opens up a true universality, which is no longer the generalization of a particular discourse. Also ecumenism might be driven by an attempt to avoid the model of generalization. But as an ecclesial practice, it becomes highly questionable if it will ever be able to escape the pitfalls of communitarianism. Theology in general tends to get stuck in a logic of differentiality. In a ever more secular world, it suffers from a strong need to affirm its own particular identity. These needs are human, without doubt, but the consequences of this logic might be disastrous: here, Christianity tends to degrade itself to a particular life-option, to a subset/dogmatism/fundamentalism among others, suppressing the universality of division in favour of the comfort of its own niche.

"There is no difference, for all have sinned and fall short of the glory of God, and all are justified freely by his grace through the redemption that came by Jesus Christ" (Rom 3:22-24)

[1] Cf. for example in Dominus Jesus, § 4: “The roots of these problems are to be found in certain presuppositions of both a philosophical and theological nature, which hinder the understanding and acceptance of the revealed truth. Some of these can be mentioned: the conviction of the elusiveness and inexpressibility of divine truth, even by Christian revelation; relativistic attitudes toward truth itself, according to which what is true for some would not be true for others.” Cf. also the recent notification on Roger Haight’s Jesus Symbol of God: “This theological position fundamentally denies the universal salvific mission of Jesus Christ (cf. Acts 4:12; 1 Tim 2:4-6; Jn 14:6) and, as a consequence, the mission of the Church to announce and communicate the gift of Christ the Saviour to all humanity (cf. Mt 28:19; Mk 16:15; Eph 3:8-11), both of which are given clear witness in the New Testament and have always been proclaimed as the faith of the Church, even in recent documents.”
[2] For an Anglican perspective, cf. especially the thought of John Milbank. Having flirted with a rather particularistic Yale-school approach (in Theology and Social Theory), he more and more comes to stress the universalist aspects of Christianity. “Once again theologians have been caught out in their inauthentic pusillanimity. In deference to liberal fashion, they have foresworn Christian claims to uniqueness, to a transcending of the Jewish legacy and so forth. Now they are wrong-footed by Marxist atheists who recall us to the facts of historical phenomenology: Christianity was the first Enlightenment, the first irruption of an absolutely universal claim.” J. Milbank, Materialism and Transcendence, in C. Davis, J. Milbank & S. Žižek (ed.), Theology and the Political. The New Debate, Durham & London, Duke University Press, 2005, 393-426, p. 35.
[3] “Die Theologen werden die letzten Universalisten in unserer hochdifferenzierten Wissenschaftswelt sein, und sie werden es – um Gottes und der Menschen willen – bleiben müssen, gelegen oder ungelegen, immer auch mit der Bereitschaft, einen gewissen Ungleichzeitigkeitsverdacht auf sich sitzen zu lassen. […] Der Theologe, der nicht sich selbst und andere betrügen will, der Theo-logie treibt, und zwar nicht als dies oder das, sondern als den immer neuen Versuch der Rede von Gott, ist und bleibt auf Universalität verpflichtet.” J.B. Metz, Zum Begriff der neuen Politischen Theologie: 1967-1997, Mainz: , 1997, 156.
[4] E. Laclau, Subjects of Politics, Politics of the Subject, in Differences. A Journal of Feminist Cultural Studies 7 (1995) nr. 1, 146-164, p. 150-153.
[5] Ibid., in, p. 151.
[6] Cf. also S. Žižek, The Parallax View, Cambridge, MA, MIT Press, 2006, p. 36.
[7] Laclau agrees here with Žižek that we finally will have to make this move and that we cannot treat the distinction as one between two externally opposed views. Cf. E. Laclau, Politics, Polemics and Academics: An Interview by Paul Bowman, in Parallax 5 (1999) nr. 2, 96-107, p. 100. For the reason why we have to interiorize this, cf. Žižek, The Parallax View, p. 36.
[8] A. Badiou, Saint Paul. The Foundation of Universalism, trans. by R. Brassier, Stanford, Stanford University Press, 2003, p. 5.
[9] Ibid., p. 42.
[10] This does not mean however, that Paul is trying to abolish particular differences. His strategy is more subtle. Take for example his relation to what is Jewish. As Rom 9:1-6 makes clear, Paul’s relation to the Jews is essentially positive. It is therefore not all Paul’s aim to discredit particularity. But he finally praises particularity only to be able to traverse it. In Badiou’s words: “Paul fights against all those who would submit postevental universality to Jewish particularity. […] The task Paul sets for himself is obviously not that of abolishing Jewish particularity, which he constantly acknowledges as the event’s principle of historicity, but that of animating it internally by everything of which it is capable relative to the new discourse, and hence the new subject.”[10] Moreover, Paul does not conceal his own strategy here: “To the Jews I became a Jew, in order to win the Jews; to those under the law, I became as one under the law – though not being myself under the law – that I might win those under the law. […] I have become all things to all men” (Cor. I.9:19-22). Ibid., p. 102.
[11] Cf. also Paul’s disdain for customary casuistry: within the order of particularity everything is essentially admitted. “In truth, all things are clean” (Rom 14:20). Also on the level of intersubjectivity, Paul displays a similar generosity: “Why, then, does one of you make himself judge over his brother, and why does another among you despise his brother? […] Let us each stop passing judgement, therefore, on one another” (Rom 14:10-13). To protect the universalism, he even explicitly warns that one must avoid doctrinal quarrels as much as possible. “Give a welcome to anyone whose faith is not strong, but do not get into arguments about doubtful points” (Rom 14:1)
[12] Žižek, The Parallax View, p. 35.
[13] A. Badiou, An Interview with Alain Badiou. “Universal Truths and the Question of Religion”, in Journal of Philosopy and Scripture 3/1 (2005) 38-42, p. 40.
[14] S. Žižek, The Ticklish Subject, p. 133.

29 Sept 2007

Charalambides

Charalambides - The Good Life (mp3) (from their forthcoming album Likeness, on Kranky)

24 Sept 2007

Michel Henry and the Origin of Evil

Liberating spiritual life from the constraints of religious identity-politics, from neuroscientific reductionism and politically correct pluralism, Michel Henry is definitely one of the most fascinating phenomenologists of the last decennia. As a severe critic of the whole linguistic turn, Henry might even count today as the last genuine transcendental philosopher. But the more I read and think about his project, the more I'm puzzled about one specific question: How does Henry explain the origin of evil?
Throughout his critique of traditional phenomenology’s failure to address the question of what phenomenological appearing actually means, Henry is led to discover auto-affection as the origin of the phenomenological process; an origin he identifies with Life, and which he sets in opposition with the world. Life as self-revelation thus remains independent of all forms of worldly intentionality, and cannot be approached from the perspective of the world. At the same time Henry discovers (through his reading of the gospel of John) that precisely the Christian God is the One who is necessarily self-revealing. God’s form of manifestation has nothing to do with what becomes manifest in the world; it precedes worldly intentionality as the basis condition for all phenomenality. Henry therefore equates the Absolute with Life and with God, understood as the Christian God (Absolute=Life=God=the Christian God); a God who can never be found through a modification of our worldly knowing, but only through our own self-affective life as opposed to our worldly ‘nature’. The latter explains Henry’s enraging critique on all kinds of hermeneutics. Because the truth of Life is independent of worldly particularities, hermeneutics is a life-denying enterprise in which our divine nature becomes reduced to a set of arbitrary worldly features. The same goes for biblical exegesis or historical approaches of the truth of Christianity, for as he stresses: “it is truth and truth alone that can offer us access to itself”. Language is an instrument of worldly intentionality and therefore the negation of reality. But because we are revealed to be son of God, we are not destined to dwell in the untruth of language: through the self-affectivity of our life we share in the Life of God.
Henry's phenomenological/theological critique on the diverse forms of worldly reductionism is at the same time a strong cultural critique. An intriguing example is the last and apocalyptic chapter of 'I am the Truth'. Henry's observation of the modern world as haunted by a technology foreign to life, makes him proclaim that we have entered the era of the Anti-Christ. Or as he says: “Upon the Anti-Christ Allegation (even when this Allegation is completely ignored these days) is founded the organization of the whole modern world. […] A new era begins, a dangerous time, not just of episodic lying but of systematic, permanent, efficient and ontological lying that can no longer be perceived as such.” But how is this possible? Where does this fall come from? If we are son of God, if we share in the divine Life of God, and if God is the One and thus the Absolute outside of which nothing exists, how is it possible that we live in exile and that the laws of the world have the power to make us forget about our divine nature?
Phenomenologically Henry explains the logic of the world as a transcendental illusion; because Life is One, our being caught in the worldly is a form of transcendental forgetfulness. But this doesn’t explain how this illusion comes to reign over life in the modern world. Unfortunately, Henry remains rather silent about this, and takes recourse to metaphors as ‘the Anti-Christ’ and the ‘Statue of the Beast’ without adequatly explaining their phenomenological origin. This raises the suspicion that Henry opts for a rather traditional Augustinian solution, in such a way even that he gives up on his purely immanent phenomenological theology in which there is no room for a contingency like the fall which would cause original sin. At the same time however, Henry sees himself unable to adopt a more Plotinian solution like that of Schelling, by displacing the origin of evil into divine life itself. This would imply the end of Life as undifferentiated and immediate self-affection, and as a Christian Henry indeed refuses to ontologize evil.
My intuition so far is that Henry's Christianising of phenomenology contaminates the rigor of his phenomenological project. I fail to see how he explains the power of forgetfullness and why the Plotinian solution would be phenomenologically intolerable. Furthermore, I do not see why he does not succumb to the same contamination of universality as he detects all over by equating the 'Absolute' with the 'Christian Absolute'. Of course, Henry defends the view that there is no risk here of particularising phenomenology. The truth of Christ is the universal truth, and therefore completely independent of worldly assertions of a particular religion. But this is quite unconvincing: in order to claim that life as absolute self-affection leads us to the recognition of Christ and the Father he shows himself dependent on a particular reading of the Johannine texts. Moreover, from his perspective of purely immanent phenomenology the whole idea of particular associations are unnecessary. If God is Life, indifferent to all possible forms of worldly mediation, there is no need to associate Life with a very particular tradition.

[1]Michel Henry, I am the Truth. Toward a Philosophy of Christianity, 270-272.

15 Sept 2007

Om - Pilgrimage

"Through music, and all art for that matter, a glimpse of something ineffably sacred can occur. It can't be tapped consciously, it visits and envelops when it chooses. In that, there is a flash of something outside of time and space. Art of that nature can be a catalyst to a dilation of one's perception of the universe." (Al Cisneros)
In anticipation of Om's new album Pilgrimage, Southern Lord has just posted one of the songs as a mp3. Om is Chris Hakius and Al Cisneros, the rhythm-section of former doom legends Sleep (while Matt Pike went on to form High on Fire). Continuing the sound of Sleep, but purified and more minimal, they take heavy music in a more spiritual direction. With their trance-inducing rhythms and chant-like vocals, they're indeed your ultimate gnostic doom band.